Verdi: Nabucco

Verdi: Nabucco

Verdi: Nabucco
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Composer: Giuseppe Verdi
Conductor: Giuseppe Sinopoli
Orchestra: Orchester der Deutschen Oper Berlin
Performer: Piero Cappuccilli
Performer: Placido Domingo
Performer: Evgeny Nesterenko
Performer: Ghena Dimitrova
Performer: Lucia Valentini Terrani
Edition: Music CD
Audio: German (Published)
Format: Box set
CD Release Date: 1984-03-12
Music Label: Deutsche Grammophon
Soundtracks:
Music CD 1
  1. Nabucco: Sinfonia
  2. Nabucco: Part One: Introduzione 'Gli arredi festivi giu cadano infranti'
  3. Nabucco: Part One: Recitativo E Cavatina: 'Sperate, o figli!'
  4. Nabucco: Part One: Recitativo E Cavatina: 'D'Egitto la sui lidi'
  5. Nabucco: Part One: Recitativo E Cavatina: 'Qual rumore?'
  6. Nabucco: Part One: Recitativo E Cavatina: 'Come notte a sol fulgente'
  7. Nabucco: Part One: Recitativo E Terzettino: 'Fenene! O mia diletta'
  8. Nabucco: Part One: Recitativo E Terzettino: 'Guerrieri, e preso il Tempio!...Prode guerrier'
  9. Nabucco: Part One: Recitativo E Terzettino: 'Lo t'amava!'
  10. Nabucco: Part One: Coro: 'Lo vedeste?'
  11. Nabucco: Part One: Finale: 'Viva Nabucco!'
  12. Nabucco: Part One: Finale: Si finga...Tremin gl'insani del mio furore!'
  13. Nabucco: Part One: Finale: 'O vinit, il capo a terra!'
  14. Nabucco: Part Two: Scene 1 - Scena Ed Aria: 'Ben io t'invenni'
  15. Nabucco: Part Two: Scene 1 - Scena ed aria: 'Anch'io dischiuso un giorno'
  16. Nabucco: Part Two: Scene 1 - Scena ed aria: 'Chi s'avanza?'
  17. Nabucco: Part Two: Scene 1 - Scena ed aria: 'Salgo gia del trono aurato'
  18. Nabucco: Part Two: Scene 2 - Recitativo e preghiera: (Introduzione)
  19. Nabucco: Part Two: Scene 2 - Recitativo e preghiera: 'Vieni, o Levita!'
  20. Nabucco: Part Two: Scene 2 - Recitativo E Preghiera: 'Tu sul labbro de' veggenti'
Music CD 2
  1. Nabucco: Part Two: Scene 2 - 'Che si vuol?...Il maledetto non ha fratelli'
  2. Nabucco: Part Two: Scene 2 - Scena e finale: ' Deh, fratelli, perdonate!'
  3. Nabucco: Part Two: Scene 2 - Scena e finale: 'S'appressan gl'instanti'
  4. Nabucco: Part Two: Scene 2 - Scena e finale: ''S'oda or me!'
  5. Nabucco: Part Two: Scene 2 - Scena e finale: 'Chi mi toglie il regio scettro?'
  6. Nabucco: Part Three: Scene 1 - Introduzione: 'E l' Assiria una regina'
  7. Nabucco: Part Three: Scene 1 - Scena e duetto: 'Eccelsa Donna'
  8. Nabucco: Part Three: Scene 1 - Scena e duetto: 'Donna, chi sei?'
  9. Nabucco: Part Three: Scene 1 - Scena e duetto: 'Oh, di qual' onta aggravasi'
  10. Nabucco: Part Three: Scene 1 - Scena e duetto: 'Ah, qual suon!'
  11. Nabucco: Part Three: Scene 1 - Scena e duetto: 'Deh, perdona'
  12. Nabucco: Part Three: Scene 2 - Coro e profezia: (Introduzione)
  13. Nabucco: Part Three: Scene 2 - 'Va, pensiero, sull' ali dorate'
  14. Nabucco: Part Three: Scene 2 - 'Oh, chi piange?...Del futuro nel buio discerno'
  15. Nabucco: Part Four: Scene 1 - Scena ed aria: (Introduzione)
  16. Nabucco: Part Four: Scene 1 - Scena ed aria: 'Aon pur queste mie membra!'
  17. Nabucco: Part Four: Scene 1 - Scena ed aria: 'Dio di Giuda!'
  18. Nabucco: Part Four: Scene 1 - Scena ed aria: 'Cadran, cadranno i perfidi...O prodi miei, seguitemi'
  19. Nabucco: Part Four: Scene 2 - Finale ultimo: (Introduzione) - 'Va, la palma del martirio'
  20. Nabucco: Part Four: Scene 2 - Finale ultimo: 'Oh, dischiuso e il firmamento!'
  21. Nabucco: Part Four: Scene 2 - Finale ultimo: 'Ah, torna Israello'
  22. Nabucco: Part Four: Scene 2 - Finale ultimo: 'Immenso Jeovha'
  23. Nabucco: Part Four: Scene 2 - Finale ultimo: 'Oh! chi vegg'io?'
  24. Nabucco: Part Four: Scene 2 - Finale ultimo: 'Su me...morente...esanime'

Free Music Notes for Verdi: Nabucco

Free Music Review: Bible Opera Packs A Punch
Hit: 5 Stars

Verdi's first big hit was Nabucco, based on the biblical account of the Hebrew captivity in Babylon by the imperious and vainglorious King Nebuchenessar. Nabucco is the Italian form of that name. While this is HIS opera, the web of characters form a powerful theme of love and thirst for power and longing for freedom. Isrele is the tenor part, a young Hebrew slave, in love with Ferena, sung by a mezzo soprano. Abigaille is the wicked daughter of King Nabucco, and her role is regarded as the most fiendishly difficult soprano role Verdi ever wrote, full of thunderous declamations high above C, and fully lyric with strong chest register. The cast in this early 80's recording is a dream cast, making this the best studio recording of Nabucco available today. Placido Domingo is singing a part that is not really the star, but he sings with passionate intensity and all his usual radiant flair. His was a voice that Verdi wrote for tenors, and Domingo himself considered Verdi to be his strongest vehicle as a tenor. In this recording we dont get the masculine ardor of Aida's Radames, or the refinement and passion of Alfredo in Traviata or the intensity of Otello nor even the ingellect of a Don Carlo or Don Alvaro from Forza Del Destino, but we have a fine character with religiosity and romantic feelings. The arias are well-executed by Domingo. He keeps up with the faster portions of the music. It seems to me listening to all this - Verdi was really trying desperately to make a hit. He had not had any success prior to this opera. The music is very dramatic, with far too many fortissimos even. Every aria and ensemble ends in such a BANG that it would seem the opera ends earlier than it should. Of course, the Overture is lovely. The highlights of this opera include great choruses. The first one in Act 1 and the more famous Va Pensiero, the Hebrews cry for freedom which even rises to nationalistic Italian heights.

Other than the tremendous talents of Placido Domingo, this recording is blessed with the fine voice of bass-baritone Piero Cappuccili in the eponymous role. As Nabucco, the evil, arrogant king, he is majestic and sometimes paternal (Verdi baritones ALWAYS sound paternal and it doesnt help that the music written fo them are mellow). Cappucilli is another great Verdi singer that together with Domingo make this recording exceptional. Opposite the more dragon-lady-like Ghena Dimitrova, he seems to be weak though....as in the scene "Prisoner ? Si! Prisioner SI!!"
But Cappuccili holds his own and is in fine shape in this recording. He is also the best Macbeth, and his voice is prominently displayed in a DG recording he sang opposite Shirley Verret's imperious Lady Macbeth.

The ladies in this recording are electrifying. Ghena Dimitrova, a Bulgarian-born soprano, is the best Abigaille ever recorded or performed. Not even Callas reaches the technical bravura and character integrity she essays. Her voice is strong, full and powerful. It is even said that Dimitrova had the highest and strongest dramatic soprano voice. Her career was short-lived because of all the intense roles she sang (Turandot, Tosca, Norma, Lady Macbeth). Abigaille she sang numerous times and it was even her signature role. Mezzo soprano Lucia Valentini-Terrani is prolly the weakest in the bunch, but she masters the role of Ferena with aplomb. I cant complain. I love everything about this recording, including the somewhat wooden Terrani. This recording deserves more recognition. Opera lovers go out and get this recording. Pass it on.....

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