Live at the Village Vanguard

Wynton Marsalis - Live at the Village Vanguard

Live at the Village Vanguard
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Music CD Cover

Artist: Wynton Marsalis
Edition: Music CD
Format: Box set, Live
CD Release Date: 1999-12-07
Music Label: Sony
Soundtracks:
Music CD 1
  1. Welcome, No. 1
  2. Cherokee - Wynton Marsalis, Noble, Ray
  3. The Egyptian Blues - Wynton Marsalis, Anderson, Wessell
  4. Embraceable You - Wynton Marsalis, Gershwin, George
  5. Black Codes (From the Underground)
  6. Harriet Tubman
  7. Monk's Mood - Wynton Marsalis, Monk, Thelonious
  8. And the Band Played On - Wynton Marsalis, Gordon, Wycliffe
  9. The Cat in the Hat Is Back - Wynton Marsalis, Williams, Todd
  10. (Set Break) - Wynton Marsalis,
Music CD 2
  1. Welcome, No. 2
  2. Uptown Ruler
  3. Down Home With Homey
  4. Reflections - Wynton Marsalis, Monk, Thelonious
  5. Jig's Jig
  6. Sometimes It Goes Like That
  7. In a Sentimental Mood - Wynton Marsalis, Ellington, Duke
  8. Knozz-Moe-King
  9. (Set Break) - Wynton Marsalis,
Music CD 3
  1. Welcome, No. 3
  2. Buggy Ride
  3. I'll Remember April - Wynton Marsalis, DePaul, Gene
  4. Stardust - Wynton Marsalis, Carmichael, Hoagy
  5. In the Court of King Oliver
  6. Bona and Paul
  7. Four in One - Wynton Marsalis, Monk, Thelonious
  8. Way Back Blues - Wynton Marsalis, Basie, Count
  9. Rubber Bottom - Wynton Marsalis, Ellington, Duke
  10. A Midnight in Paris - Wynton Marsalis, Strayhorn, Billy
Music CD 4
  1. Welcome, No. 4
  2. Pedro's Getaway
  3. Evidence - Wynton Marsalis, Monk, Thelonious
  4. Embraceable You - Wynton Marsalis, Gershwin, George
  5. A Long Way
  6. The Arrival - Wynton Marsalis, Roberts, Marcus
  7. Misterioso - Wynton Marsalis, Monk, Thelonious
  8. Happy Birthday - Wynton Marsalis, Traditional
  9. The Seductress
  10. (Set Break) - Wynton Marsalis,
Music CD 5
  1. Welcome, No. 5
  2. The Majesty of the Blues (The Puheeman Strut)
  3. Flee as a Bird to the Mountain - Wynton Marsalis, Traditional
  4. Happy Feet Blues
  5. Thelonious - Wynton Marsalis, Monk, Thelonious
  6. Stardust - Wynton Marsalis, Carmichael, Hoagy
Music CD 6
  1. Welcome, No. 6
  2. Citi Movement
  3. Winter Wonderland - Wynton Marsalis, Bernard, Felix
  4. Brother Veal
  5. Cherokee - Wynton Marsalis, Noble, Ray
  6. Juba and a O'Brown Squaw
Music CD 7
  1. Welcome, No. 7
  2. In the Sweet Embrace of Life
  3. Local Ammoucements
  4. Altar Call
  5. Final Statement

Free Music Notes for Live at the Village Vanguard

Free Music Review: Great Music, Great Sound, Great Price
Hit: 5 Stars

Although Marsalis may not be on the "cutting edge" here, I hear little that is routine or pedestrian on these discs. I hear fine arrangements of jazz standards and creative original compositions (e.g., Black Codes, Citi Movement). The recordings and audio quality are excellent. I especially enjoy the sonorities provided by the 4-horn front-lines in these septets. Most of these Amazon reviews are very positive, and deservedly so. Great talents in every field always have their detractors, and Marsalis is certainly no exception. My only real "complaint" is that Wynton does talk a bit too much--he tends to do this in his live shows, but it's all in good fun, and you never feel slighted musically. I've owned these discs for several years now and still listen to them a lot.

Live at the Village Vanguard Poster

This stupendous seven-CD collection from the all-world trumpeter, composer, and bandleader Wynton Marsalis chronicles the amazing evolution of his underrated live septets at the legendary Village Vanguard from 1990 to 1994. Sequenced to simulate a week-long gig, the set melds together three different incarnations of Marsalis's ensemble: the gifted New Orleans-born drummer Herlin Riley, the ebullient Wessel Anderson on sopranino and alto saxes, and the fluent trombonist Wycliffe Gordon are the constants. The mercurial Marcus Roberts and the fleet-fingered Eric Reed alternate on piano, while Ben Wolfe and Reginald Veal lock it down on the bass. These selections showcase the astounding "school" of musicians that followed Marsalis's first superband with his brother, Branford Marsalis, the late Kenny Kirkland, and Jeff "Tain" Watts. Marcus Roberts's articulate lines sonically sigature his uptempto original, "The Arrival," and his solo on Thelonious Monk's "Misterioso" calls forth the soulful spirit of Monk's mentor, James P. Johnson. Eric Reed accompanies the leader with a well-traveled, harmonic magic carpet on "The Seductress" and provides some imaginative ivory ticklings on the 5/4-cadenced "Uptown Ruler," with Herlin Riley's Big Easy backbeats and Mardi Gras Indian chants. Wycliffe Gordon makes a stylistic stop in Kansas City on Count Basie's "Way Back Blues," with his territory trombone tones, and pays his dues to Tricky Sam Nanton on Duke Ellington's "Play the Blues and Go." Reginald Veals's "Brother Veal" rings with his deep sound, while Wes Anderson's Afro-Arabic "The Egyptian Blues" and Todd William's uptempo, Coltrane-like "The Cat in the Hat Is Back" display their horn and composition skills. Another Marsalis cohort, Dr. Michael White, makes a surprise appearance with his Preservation Hall clarinet on the traditional hymn "Flee as a Bird to the Mountain." Marsalis's studio recordings are revisited, from the early '80s tune "Knozz-Moe-King" to the parade pulsations of "Juba and a O'Brown Sqauw" from the 1997 Pulitzer Prize-winning masterpiece, Blood on the Fields. His encyclopedic command of the trumpet tradition is in full effect. Check out his bop-ballad renditions of "Cherokee," "Embraceable You," "Stardust," and the muted musings on the short but sweet "Bona and Paul," inspired by two character's from Jean Toomer's literary classic, Cane. Two extended compositions, the 40-minute "Citi Movement," with its aural impressions of urban life filtered through swing, ballad, and Afro-Latin forms, and the nearly hour-long jazz spiritual "In the Sweet Embrace of Life," a movement from In This House, on This Morning, are well paced for this enthusiastic crowd. With Wynton Marsalis's superb playing and leadership, along with his dowm-home introductions of Lionel Hampton, Cassandra Wilson, and Joshua Redman, this potpourri of selections does what all remote recordings are meant to do: it puts the listener at home in front of the bandstand and captures the one-of-a-kind ambience and interplay of live music making. --Eugene Holley Jr.

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