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Zofia Kilanowicz - Górecki: Symphony No. 3 ("Symphony of Sorrowful Songs"); Three Olden Style Pieces
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Music CD Cover Artist: Zofia Kilanowicz Performer: Zofia Kilanowicz Composer: Henryk Gorecki Conductor: Antoni Wit Orchestra: Polish National Radio Symphony Orchestra Edition: Music CD CD Release Date: 1994-06-28 Music Label: Naxos Soundtracks: - Symphony No. 3, Op. 36 (Symphony Of Sorrowful Songs): Lento - Sostenuto tranquillo ma cantabile
- Symphony No. 3, Op. 36 (Symphony Of Sorrowful Songs): Lento e largo - Tranquillisimo
- Symphony No. 3, Op. 36 (Symphony Of Sorrowful Songs): Lento - Cantabile semplice
- 3 Olden Style Pieces: I
- 3 Olden Style Pieces: II
- 3 Olden Style Pieces: III
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Free Music Notes for Górecki: Symphony No. 3 ("Symphony of Sorrowful Songs"); Three Olden Style Pieces AlbumFree Music Review: this is important Hit: 5 Starsi think gorecki's third was released for the first time back in '92 or so. according to _the economist_, it outsold madonna and stayed at the top of the pop charts for a time unprecendented by any symphonic recording. it should come as no surprise, i suppose, that even the artists of the then-burgeoning u.k. techno scene (such as beaumont hannant and pentatonik) were namechecking or sampling outright the third symphony, and with good reason.gorecki's third is, to quote one of my old professors, 'heartbreakingly beautiful'. the raw, emotive phrases make the hair stand on end; the grayest windy-city mornings assume redemptively tragic proportions when this is your soundtrack. i prefer this version to every other that i've heard, including the much-hyped, but kinda flat, nonesuch version with dawn upshaw. i'm uncertain about squishy notions like 'national character', but this presentation, performed by polish citizens, eclipses the exercise-like renditions of their american and british counterparts in depth and power. each movement develops slowly, taking its time and giving the listener an opportunity to find the right headspace. wit or whoever recorded this performance also downplayed the unnecessary french horn lines and gave more attention to the piano - the result is a much more striking and poignant piece.
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